The Greater Cincinnati Chinese Music Society proudly presents its 2026 Lunar New Year Concert, a distinguished annual celebration that has united traditional Chinese instruments and the Philharmonic for more than two decades across the Tri-State region.

Under the direction of Dr. Aik Khai Pung, this year’s performance will feature acclaimed guest artists — Chinese flute virtuoso Xiaoran Liu, soprano Yi Ding, violinist Dan Qiao, pianist Meng Yuan, and baritone Jack O’Leary— in collaboration with Cincinnati Chamber Orchestra.

This special concert offers a captivating fusion of musical excellence, cultural heritage, and artistic expression — an inspiring evening sure to delight audiences of all ages.

Please join us as we welcome the Lunar New Year through the universal language of music.

Ladysmith Black Mambazo
Over Sixty Years Later The Impossible Dream Continues

Let us tell you a story. An impossible to believe, yet, true story. Once upon a time there was a teenage boy working on his family farm in apartheid South Africa. The year was 1960. This boy loved to sing, in fact he loved to sing so much that he allowed himself an impossible dream. In his dream he would create a group of singers, from his family members, to sing traditional South African songs. His group would perform all over South Africa and they would become the greatest music group his country would ever know. How could such a dream come to a young farm boy in a country rife with hardship, violence and trouble? Well, Joseph Shabalala was this young farm boy and his dream would become Ladysmith Black Mambazo.

The year 2025 marks the 65th anniversary of Joseph Shabalala forming Ladysmith Black Mambazo. His group would not only conquer all of South Africa, but would become a worldwide phenomenon, winning more GRAMMY Awards (Five), and receiving more GRAMMY Award nominations (Nineteen), than any World Music group in the history of recorded music.

During the dark years of South African Apartheid, Ladysmith Black Mambazo followed a path of peaceful protest through songs of hope and love. When Nelson Mandela was released from prison, in 1990, he said that Ladysmith Black Mambazo’s music was a powerful message of peace that he listened to while in jail. When Mandela was awarded the Nobel Peace Prize, in 1993, he asked the group to join him at the ceremony. It was Mandela who called Ladysmith Black Mambazo “South Africa’s Cultural Ambassadors to the World.”

The group sings a traditional music style called isicathamiya (Is-Cot-A-Mee-Ya), which developed in the mines of South Africa. It was there that black workers were taken to work far away from their homes and families. Poorly housed and paid, the mine workers would entertain themselves, after a six-day work week, by singing songs into the wee hours on Saturday night and Sunday. When the miners returned to their homes, this musical tradition returned with them.

In the mid-1980s, American singer/songwriter Paul Simon famously visited South Africa and incorporated the group’s rich harmonies into his renowned Graceland album – a landmark recording considered seminal in introducing World Music to mainstream audiences. This brought the group to the attention of music lovers all over the world, the beginning of a global musical career that shows no sign of ending.

After leading his group for over fifty years and approaching his seventy-fifth birthday, Joseph Shabalala retired in 2014, handing the leadership to his three sons, Thulani, Sibongiseni and Thamsanqa Shabalala. Having joined their father’s group in 1993, their many years of training had prepared them in ways no others could be trained. Now, carrying their father’s dream into the future, the Shabalala Family continues the group’s success for the world to hear.

Ladysmith Black Mambazo is Thulani Shabalala, Sibongiseni Shabalala, Thamsanqa Shabalala, Msizi Shabalala, Albert Mazibuko, Abednego Mazibuko, Mfanafuthi Dlamini, Pius Shezi and Sabelo Mthembu.

For the past 50 years, BeauSoleil avec Michael Doucet has been making some of the most potent and popular Cajun music on the planet. Born out of the rich Acadian ancestry of its members, and created and driven by bandleader Michael Doucet’s spellbinding fiddle playing and soulful vocals, BeauSoleil is notorious for bringing even the most staid audience to its feet. BeauSoleil’s distinctive sound derives from the distilled spirits of New Orleans jazz, blues rock, folk, swamp pop, Zydeco, country and bluegrass, captivating listeners from the Jazz and Heritage Festival in New Orleans, to Carnegie Hall, then all the way across the pond to Richard Thompson’s Meltdown Festival in England.

Their most recent album and the 25th in their 45-year career,  was titled “From Bamako to Carencro,” alluding the cultural and migratory connection between Bamako, in Mali, West Africa, and Louisiana (symbolized in name by the Lafayette, LA suburb of Carencro), a connection that draws a sonic bloodline back to BeauSoleil’s roots. Since becoming the first Cajun band to win a GRAMMY with “L’amour Ou La Folie” (their Traditional Folk Album – 1998) and then a second Grammy in 2010, “Live at the New Orleans Jazz & Heritage Festival”, BeauSoleil has garnered many accolades, including twelve GRAMMY nominations. They are regular guests on Garrison Keillor’s NPR show A Prairie Home Companion, where Keillor has dubbed them as “the best Cajun band in the world,” and their music is so integral to the Cajun culture that they have been featured on the New Orleans–based hit HBO program “Treme”. Critics unanimously agree that it is “bon temps, every time they play,” (New York Times).

In addition to their show, Beausoleil avec Michael Doucet created their own Christmas performance, “14 Cajun Christmas”.  A detour from the routine path of holiday musical fare, “14 Cajun Christmas” presents his beloved ensemble performing selections from their rich catalog alongside Bayou flavored versions of classic holiday tunes. Expect both the familiar and some surprises for a ”cool-yule” of an evening!

Laissez Les Bons Temps Rouler!