Category:

Concert

Date:

Wed, May 10, 2023

Time:

7:30 PM

Price:

$42-$60

Purchase Tickets View Seating Chart Back to all shows

Nederlander Entertainment & Memorial Hall present KT Tunstall & Martin Sexton USA Tour 2023

Since scoring a worldwide smash with her debut album ‘Eye To The Telescope’ in 2004, which went on to sell over 5 million copies, KT Tunstall has remained at the forefront of UK singer- songwriter talent. Over the next decade, three further critically acclaimed albums followed; ‘Drastic Fantastic,’ ‘Tiger Suit’ and ‘Invisible Empire//Crescent Moon’ in 2007, 2010 and 2013 respectively, keeping the platinum sales rolling and cementing the Scottish singer-songwriter’s reputation as a major recording talent, as well as a mesmerising live artist.

Tunstall has toured the world many times over. She outsold every other female artist in the UK in 2005, won the 2006 Brit Award for Best British Female Solo Artist, won the Ivor Novello Best Song award for her huge, self-penned hit ‘Suddenly I See,’ and a Q award for Track of the Year. She also landed a Grammy nomination for Best Female Pop Vocal Performance and lent her tunes to a host of movies and TV shows (‘Suddenly I See,’ used in the iconic opening scene of Meryl Streep flick ‘The Devil Wears Prada’).

2012 and the years that followed saw a seismic shift in outlook — the loss of her father, a divorce, and a relocation to Venice Beach, California.

After a period of healing, soul-searching, and a change of scenery, 2016 hailed the arrival of the first of a trilogy of albums, the critically acclaimed UK top 10 album — ‘KIN.’ The trilogy evokes, separately and in sequence, spirit, body and mind. With ‘KIN’ being her phoenix- from-the-ashes ‘spirit’ album, 2018 marked the second offering of that trilogy, the ‘body’ album ‘WAX’ — released October 5th.

Speaking about her 6th studio album, Tunstall says of ‘WAX’ “I knew before I started writing that I wanted it to be an electric guitar record. It had to be visceral, about the physical, and the weight of that, and the obstacles of that. It’s a record about human-ness, which we so often just write off as ‘flaws.'”

The title a nod to the viscous pungency of one of the body’s natural substances. “Wax evokes colonies of bees, candlelight, the material that the first long-playing records were made of,” she explains, “but more than that, wax is produced inside your own head. You unconsciously create it, and then weirdly that same basic substance has been used for centuries to make the most lifelike replicas of human beings. It has a life glow to it. It sticks to you. We have these strange, ancient connections and relationships with wax. How odd is it that the body produces all these substances from all these holes!” laughs this stoutly down-to-earth singer, songwriter and guitarist.

Lead single “The River,” which was released August 23rd, opens with an arresting synth hook, before Tunstall’s powerful voice enters, emotionally taking centre stage. The track builds with strong rhythmic guitar textures, exploding into an anthemic chorus. Heavy guitar riffs are central to this track capturing the dirt, grit and physicality of the album. Tunstall explains, “it’s about wanting to escape the madness in the world, escaping bad relationships, and wanting to be washed clean — emancipation through nature.” The single was named one of Rolling Stone’s ‘Songs You Need To Know.’ The music video, directed by Alexo Wandael, premiered on Clash Magazine and features KT performing a sensual routine with dancer Alex Thomas.

KT released ‘WAX’ in October 2018 via Virgin Records (UK) / Rostrum Records/ InGrooves (US / RoW). “WAX” entered the UK album chart at number 15 (Tunstall’s 6th Top 20 album in the UK), was featured on Spotify’s ‘New Music Friday’ playlist in a dozen countries worldwide and received critical acclaim from both national publications and specialist music outlets in both the UK and USA.

The Sunday Times — “Killer folk-rock melodies and chord progressions; lyrics rich with emotional intelligence, candour, self-awareness and bite and vocals of immediacy”

The I — “From the moment she strikes the first meaty chord of her new album, KT sounds visceral capturing the grit of her live shows”

The Sun 4* — “WAX provides a gritty collection of classic rock-pop

Second single, ‘Human Being,’ was released in December 2018, accompanied by a self- directed video by Tunstall which was premiered on NYLON and features an 8-year-old black belt nunchuck talent Eccaia Sampson. KT says of the video: “My vision for the video was to create a mirror between a young, crazy- talented, bold little girl, and link that burgeoning energy to a band of warrioress women.” The track was playlisted by BBC Radio 2.

The last few years have seen something of a creative rebirth for Tunstall. Upon relocating to the west coast of the USA, she was accepted as one of six annual fellows for the Sundance Film Institute’s Composers Lab (hosted by George Lucas’s Skywalker Ranch in Northern California) and has since scored music for short and feature films.

She has also been awarded the Inspirational Artist gong at the Women In Music Awards and was chosen as the first ever female Grand Marshal (following the likes of Sir Sean Connery) to lead April 2018’s annual New York Tartan Week parade. In May 2018 she and Mike McCready, of legendary multi-million selling Pearl Jam, released a cover of Tom Petty’s huge hit single ‘I Won’t Back Down’ with proceeds going to Pearl Jam’s Vitalogy Foundation.

In 2018, KT performed sold-out intimate headline shows across the UK and US and toured worldwide supporting acclaimed artists including Simple Minds, The Pretenders, Barenaked Ladies and Gary Barlow.

KT is set to perform with an all-female band across the UK and Europe in March and April 2019, followed by a US tour in May 2019.


Singer-songwriter Martin Sexton is like an ultra-active antenna, adventuring through the static to grab a clear signal. When he dials in on one station, he then quickly shifts to the next one. This everchanging attention span drives his family crazy, but it’s ingrained in Martin, dating back to his childhood when he would tear through television primetime programming.

This ability to hone in on little defining moments suits Martin as a songwriter as evident by his latest EP, 2020 Vision. This is Martin’s first release in 6 years, and it is a poetically emotive and an elegantly evocative pandemic scrapbook. “In one song, I’m building a treehouse with my son. In another song, I’m crossing America and seeing the beauty in people rising through adversity and loving each other,” Martin details.

The recordings were tracked virtually during lockdown and produced by three-time Grammy-nominee John Alagia, best known for producing John Mayer’s breakout album, Room For Squares. Mayer, who has always championed Martin as a foundational influence, makes a special guitar solo cameo on one of the EP’s singles, “Calling on America.” This 4-song collection will be available on the digital platforms, and also issued as a handsomely-packaged vinyl release.

Martin’s ever-shifting focus also manifests itself in his freewheeling musicality. He nurtured a critically-acclaimed trademark aesthetic through embracing soul, folk, blues, rock, pop, and sweet balladry. His last album, 2015’s Mixtape of the Open Road, garnered raves from the Wall Street JournalBillboard, Folk Alley/NPR Music, and Relix Magazine.

One constant in Martin’s life and his music is celebrating America. His 1996 Black Sheep album featured a rendition of “America The Beautiful,” and his major-label debut was simply called The American. Also, Martin getting his start in music through leaving his upstate New York hometown with seventy-five bucks and a Stratocaster to chase his aspirations brims with anthemic American Dream overtones.2020 Vision continues this American story.

“I see America as flawed, but not irredeemable. I love that we have community leaders, politicians, actors, and artists from all backgrounds speaking up, raising their voices, and becoming the heroes of today,” Martin says. “My faith is renewed to see the injustices of the world now beginning to be met with accountability. I remain hopeful and optimistic.”

2020 Vision snapshots moment of clarity during the pandemic and beyond. The EP’s leadoff single, “Hold On,” is one of those sun-shining-through-the-rain songs. It brims with soul guitar fixings, punchy horns, and a touching narrative of the simple pleasures of spending time with loved ones. “The silver lining in the pandemic was more facetime with my family. We cut each other’s hair, we biked, and I got around to finally building that treehouse with my son,” Martin recalls. “We finished building it on a sunny summer day, and I grabbed my old Gibson and sat down inside the new fort and this tune presented itself to me.”

The EP’s second single, “Calling On America,” follows in the grand tradition of tender R&B cultural commentary epitomized by soul poets like Curtis Mayfield’s and Marvin Gaye. It’s a scene-setting song panning through visual vignettes of love and harmony while also contemplating division. “I see too much division and hate projected on the airwaves,” Martin shares. “Because of what I do, I travel and meet folks in the world, and although it’s far less common than it should be, I find it encouraging to see people of all walks of life getting along. I believe solidarity through music is a very powerful thing and I’ve always strived to advocate that through my songs and my shows.” The song’s purposeful messaging goes down smooth with folksy acoustic guitar, gospel-tinged organ playing, pining pedal steel, and Martin’s trademark honeyed vocals. “Calling On America” is further enhanced by a John Mayer guitar solo, a lyrical but fleet-fingered statement that hits that sweet spot between blues and country. The EP is rounded out by the impressionistic folk song, “Riding Through The Rain,” and the James Taylor-esque, “Penny from the Land of Plenty,” a powerful and hopeful statement on the opioid epidemic.

Up next, the road is calling Martin as tour dates are being booked in this post-vaccine chapter. 2020 Vision will always have its lessons and remain in Martin’s sight, even as the miles out on the road put pandemic life in the rearview mirror. One of those lessons is the power of togetherness. Martin says: “My mission statement for the past 15 years has been unity through music, and I am committed to sharing peace and harmony through my songs.”

Nederlander Entertainment & Memorial Hall present KT Tunstall & Martin Sexton USA Tour 2023

Since scoring a worldwide smash with her debut album ‘Eye To The Telescope’ in 2004, which went on to sell over 5 million copies, KT Tunstall has remained at the forefront of UK singer- songwriter talent. Over the next decade, three further critically acclaimed albums followed; ‘Drastic Fantastic,’ ‘Tiger Suit’ and ‘Invisible Empire//Crescent Moon’ in 2007, 2010 and 2013 respectively, keeping the platinum sales rolling and cementing the Scottish singer-songwriter’s reputation as a major recording talent, as well as a mesmerising live artist.

Tunstall has toured the world many times over. She outsold every other female artist in the UK in 2005, won the 2006 Brit Award for Best British Female Solo Artist, won the Ivor Novello Best Song award for her huge, self-penned hit ‘Suddenly I See,’ and a Q award for Track of the Year. She also landed a Grammy nomination for Best Female Pop Vocal Performance and lent her tunes to a host of movies and TV shows (‘Suddenly I See,’ used in the iconic opening scene of Meryl Streep flick ‘The Devil Wears Prada’).

2012 and the years that followed saw a seismic shift in outlook — the loss of her father, a divorce, and a relocation to Venice Beach, California.

After a period of healing, soul-searching, and a change of scenery, 2016 hailed the arrival of the first of a trilogy of albums, the critically acclaimed UK top 10 album — ‘KIN.’ The trilogy evokes, separately and in sequence, spirit, body and mind. With ‘KIN’ being her phoenix- from-the-ashes ‘spirit’ album, 2018 marked the second offering of that trilogy, the ‘body’ album ‘WAX’ — released October 5th.

Speaking about her 6th studio album, Tunstall says of ‘WAX’ “I knew before I started writing that I wanted it to be an electric guitar record. It had to be visceral, about the physical, and the weight of that, and the obstacles of that. It’s a record about human-ness, which we so often just write off as ‘flaws.'”

The title a nod to the viscous pungency of one of the body’s natural substances. “Wax evokes colonies of bees, candlelight, the material that the first long-playing records were made of,” she explains, “but more than that, wax is produced inside your own head. You unconsciously create it, and then weirdly that same basic substance has been used for centuries to make the most lifelike replicas of human beings. It has a life glow to it. It sticks to you. We have these strange, ancient connections and relationships with wax. How odd is it that the body produces all these substances from all these holes!” laughs this stoutly down-to-earth singer, songwriter and guitarist.

Lead single “The River,” which was released August 23rd, opens with an arresting synth hook, before Tunstall’s powerful voice enters, emotionally taking centre stage. The track builds with strong rhythmic guitar textures, exploding into an anthemic chorus. Heavy guitar riffs are central to this track capturing the dirt, grit and physicality of the album. Tunstall explains, “it’s about wanting to escape the madness in the world, escaping bad relationships, and wanting to be washed clean — emancipation through nature.” The single was named one of Rolling Stone’s ‘Songs You Need To Know.’ The music video, directed by Alexo Wandael, premiered on Clash Magazine and features KT performing a sensual routine with dancer Alex Thomas.

KT released ‘WAX’ in October 2018 via Virgin Records (UK) / Rostrum Records/ InGrooves (US / RoW). “WAX” entered the UK album chart at number 15 (Tunstall’s 6th Top 20 album in the UK), was featured on Spotify’s ‘New Music Friday’ playlist in a dozen countries worldwide and received critical acclaim from both national publications and specialist music outlets in both the UK and USA.

The Sunday Times — “Killer folk-rock melodies and chord progressions; lyrics rich with emotional intelligence, candour, self-awareness and bite and vocals of immediacy”

The I — “From the moment she strikes the first meaty chord of her new album, KT sounds visceral capturing the grit of her live shows”

The Sun 4* — “WAX provides a gritty collection of classic rock-pop

Second single, ‘Human Being,’ was released in December 2018, accompanied by a self- directed video by Tunstall which was premiered on NYLON and features an 8-year-old black belt nunchuck talent Eccaia Sampson. KT says of the video: “My vision for the video was to create a mirror between a young, crazy- talented, bold little girl, and link that burgeoning energy to a band of warrioress women.” The track was playlisted by BBC Radio 2.

The last few years have seen something of a creative rebirth for Tunstall. Upon relocating to the west coast of the USA, she was accepted as one of six annual fellows for the Sundance Film Institute’s Composers Lab (hosted by George Lucas’s Skywalker Ranch in Northern California) and has since scored music for short and feature films.

She has also been awarded the Inspirational Artist gong at the Women In Music Awards and was chosen as the first ever female Grand Marshal (following the likes of Sir Sean Connery) to lead April 2018’s annual New York Tartan Week parade. In May 2018 she and Mike McCready, of legendary multi-million selling Pearl Jam, released a cover of Tom Petty’s huge hit single ‘I Won’t Back Down’ with proceeds going to Pearl Jam’s Vitalogy Foundation.

In 2018, KT performed sold-out intimate headline shows across the UK and US and toured worldwide supporting acclaimed artists including Simple Minds, The Pretenders, Barenaked Ladies and Gary Barlow.

KT is set to perform with an all-female band across the UK and Europe in March and April 2019, followed by a US tour in May 2019.


Singer-songwriter Martin Sexton is like an ultra-active antenna, adventuring through the static to grab a clear signal. When he dials in on one station, he then quickly shifts to the next one. This everchanging attention span drives his family crazy, but it’s ingrained in Martin, dating back to his childhood when he would tear through television primetime programming.

This ability to hone in on little defining moments suits Martin as a songwriter as evident by his latest EP, 2020 Vision. This is Martin’s first release in 6 years, and it is a poetically emotive and an elegantly evocative pandemic scrapbook. “In one song, I’m building a treehouse with my son. In another song, I’m crossing America and seeing the beauty in people rising through adversity and loving each other,” Martin details.

The recordings were tracked virtually during lockdown and produced by three-time Grammy-nominee John Alagia, best known for producing John Mayer’s breakout album, Room For Squares. Mayer, who has always championed Martin as a foundational influence, makes a special guitar solo cameo on one of the EP’s singles, “Calling on America.” This 4-song collection will be available on the digital platforms, and also issued as a handsomely-packaged vinyl release.

Martin’s ever-shifting focus also manifests itself in his freewheeling musicality. He nurtured a critically-acclaimed trademark aesthetic through embracing soul, folk, blues, rock, pop, and sweet balladry. His last album, 2015’s Mixtape of the Open Road, garnered raves from the Wall Street JournalBillboard, Folk Alley/NPR Music, and Relix Magazine.

One constant in Martin’s life and his music is celebrating America. His 1996 Black Sheep album featured a rendition of “America The Beautiful,” and his major-label debut was simply called The American. Also, Martin getting his start in music through leaving his upstate New York hometown with seventy-five bucks and a Stratocaster to chase his aspirations brims with anthemic American Dream overtones.2020 Vision continues this American story.

“I see America as flawed, but not irredeemable. I love that we have community leaders, politicians, actors, and artists from all backgrounds speaking up, raising their voices, and becoming the heroes of today,” Martin says. “My faith is renewed to see the injustices of the world now beginning to be met with accountability. I remain hopeful and optimistic.”

2020 Vision snapshots moment of clarity during the pandemic and beyond. The EP’s leadoff single, “Hold On,” is one of those sun-shining-through-the-rain songs. It brims with soul guitar fixings, punchy horns, and a touching narrative of the simple pleasures of spending time with loved ones. “The silver lining in the pandemic was more facetime with my family. We cut each other’s hair, we biked, and I got around to finally building that treehouse with my son,” Martin recalls. “We finished building it on a sunny summer day, and I grabbed my old Gibson and sat down inside the new fort and this tune presented itself to me.”

The EP’s second single, “Calling On America,” follows in the grand tradition of tender R&B cultural commentary epitomized by soul poets like Curtis Mayfield’s and Marvin Gaye. It’s a scene-setting song panning through visual vignettes of love and harmony while also contemplating division. “I see too much division and hate projected on the airwaves,” Martin shares. “Because of what I do, I travel and meet folks in the world, and although it’s far less common than it should be, I find it encouraging to see people of all walks of life getting along. I believe solidarity through music is a very powerful thing and I’ve always strived to advocate that through my songs and my shows.” The song’s purposeful messaging goes down smooth with folksy acoustic guitar, gospel-tinged organ playing, pining pedal steel, and Martin’s trademark honeyed vocals. “Calling On America” is further enhanced by a John Mayer guitar solo, a lyrical but fleet-fingered statement that hits that sweet spot between blues and country. The EP is rounded out by the impressionistic folk song, “Riding Through The Rain,” and the James Taylor-esque, “Penny from the Land of Plenty,” a powerful and hopeful statement on the opioid epidemic.

Up next, the road is calling Martin as tour dates are being booked in this post-vaccine chapter. 2020 Vision will always have its lessons and remain in Martin’s sight, even as the miles out on the road put pandemic life in the rearview mirror. One of those lessons is the power of togetherness. Martin says: “My mission statement for the past 15 years has been unity through music, and I am committed to sharing peace and harmony through my songs.”

Category:

Concert

Date:

Wed, May 10, 2023

Time:

7:30 PM

Price:

$42-$60

Purchase Tickets View Seating Chart Back to all shows